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| Bristol Ephemera Automobilia / collectibles associated with Bristol |
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Looking at the postings of Claude, Geoff et al I do have to wonder
how practicable a proposition this would be and have a couple of thoughts that may or may not be particular to me. I enjoy the look and feel of a well-produced book and have to admit that I hate the few print-on-demand types I have - I prefer to leave them as pdf files and read them on screen. 'Vanity publishing' appeals to quite a few people, but as someone who has had to read a number of these volumes, I can attest to the poor quality of most aspects of the resultant product (knowledge of the subject matter is the principal reason someone has taken the trouble to produce a book in the first place and this is frequently the sole area that works reasonably well). Think of one of the Bristol books mentioned in one of the other postings: it is highly informative on most aspects of the Bristol and conveys a pleasing feel for the marque, but it also contains the same facts being presented in multiple locations, incorrect captions to some photographs, duplication of text and so on - and this is from a respected publisher and has been professionally edited and proof-read. From a more practical standpoint, who would negotiate and pay the copyright clearances, decide upon the house style (and technical style), do the design and layout, deal with the artwork and photographs (including touch-ups) etc. Writing and publishing a book involves far more than knocking out the text and then distributing it - there are many aspects that are unlikely to create a quality effect without the necessary professional skill and experience. Sure, we can all write a book and, I daresay, we could all respray and reupholster our cars . . . If one went down the multi-author route, then who would be the main editor and how would contributors feel about having their text hacked to death? Would this editor be expected to cross-check all the references and warn readers of those that seemed dubious? I recall researching material for a book and having the benefit of documentation from the Rootes family who co-operated; access to quite a lot of government and private funding archives; and interviewing many senior and not-so-senior employees including the car designers. As one usually finds, all these authentic sources told very different tales and tales that contained much contradiction. Someone has to resolve these conflicts and it takes truly ages. One also turns into a sleuth, I recall coming across an incorrect usage of a German term, then finding it in another source - eventually, I traced the same 'factual' material through about ten sources, all of which had appropriated, incorrect as it turned out, information from either the original source or from each other. Great for perpetuating myths, but lousy if one wants to get it right. Just a few spanners for the works? George |
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| crowood, history, illustrated, oxley |
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